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It can help us see beyond traditional beliefs, established systems and accepted narratives by showing us different perspectives of how things could be. It is the blockchain equivalent of the annual Games Developers Conference (GDC), and their sponsors included key players, including DappRadar, Epik, Polygon, and many more.FluxB12 Cracked Hacked Client Client Features Kill Aura Anti Bots Anti Knockback Anti Fire/Potion Auto Armor Auto Potion Auto Soup Regen Auto Clicker Aim AssistSpeculative thinking can open up new worlds that exist in an imagined past, parallel present or near future. The Blockchain Games Conference (CGC) hosted its 9th virtual conferencing platform, Pine, from September 23rd to 24th. Community Archives NFTS.WTF.
Boredomresearch are fascinated by the magical worlds that appear at the level of cellular behaviour. These documents may include legal memoranda, client communications, and analysis of. This course will examine Americas programs for health care access and finance, including employment-based private insurance, Medicare, Medicaid, CHIP, and VA. HCA Commission (Oxford): Looking at life at the level of the cell - In Search of Chemozoa by boredomresearch (2020) Call of the Silent Cell (working title)The law governing access to health care has been in flux and in legal dispute in recent years.
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As a researcher at the National Centre for Computer Animation (2005-2020) Isley established novel research initiatives including BLAST (Bournemouth Lab of Art, Science & Technology) celebrating world leading art, science and technological interactions. Vicky Isley by Julio Daniel Suárez EspinosaVicky Isley works collectively with Paul Smith, as boredomresearch, their work is underpinned by a rich understanding of nature's mechanisms and has been exhibited globally including: Shenzhen New Media Arts Festival, China HeK, Basel and LABoral Centro de Arte y Creación Industrial, Gijón Spain. Recent exhibitions include: ArtScience Museum Singapore BOZAR Brussels and ISEA Manizales. Working in some of the world's most advanced scientific laboratories Smith endeavours to re-engage scientists with their artistic roots to create cultural expressions of cutting edge research. Exploring themes as diverse as swarm robotics, disease transmission and a cultural obsession with speed their work has received worldwide attention including: TIME Magazine and New Scientist.
We work in partnership with other cultural organisations in the city, such as University of Oxford, Oxford City Council, Oxford GLAM (Gardens, Libraries and Museums), Museum of Oxford, Modern Art Oxford and others. Fusion’s projects reach across Oxfordshire and beyond, working within communities in participatory and public art and contributing to high profile public events such as Cowley Road Carnival and Oxford Christmas Light Festival. We work in partnership with other creative and non-creative organizations, artists and people from all walks of life.Formerly known as Bloomin’ Arts, Fusion has been operating from its base on the corner of Princes St and the Cowley Road in the heart of the East Oxford community since March 1977. Fusion Arts is an Oxford-based charity that devises and delivers creative projects in the local and wider community. Fusion Arts creates spaces for artists and communities to make, share and experience the arts together.Through the transformational power of the arts, we respond to challenging social circumstances by delivering meaningful and inclusive artistic experiences. Since 1977 we have connected artists with communities, and inspired hundreds of bespoke creative projects.
In every breath, every heartbeat we produce a picture that can help scientists uncover the mysteries of humanity. HCA ArtSci Commission: Donate my Body, Bequeath my Data by Stacey Pitsillides (2020) Donate my Body, Bequeath my DataThroughout our lives, our bodies hold a hidden landscape of knowledge. This provides us with an opportunity to reveal new insights into our relationship with ourselves, each other and our world. Established narratives and familiar structures are radically reconfigured or are simply no longer required. Within virtual, augmented, hybrid reality and immersive environments, physical constraints and limitations cease to be relevant.
The artistic practice will explore collective forms of deconstructing and reconstructing a landscape of bodies using immersive technologies to create a shared environment where the public can gift their avatars as a way of expressing that donated bodies construct a richer whole. Balancing an individual’s identity in relation to their data can provide new insights and give people a sense of continuing bonds after death.Working with the Human Cell Atlas scientific team this collaboration will explore the role that the bodies of the dead may serve in society and how ideas of normality may shift with new rituals. Through donating our bodies an ending can create many new beginnings – that are celebrated in unique ways.However, donations are also bound up in questions of identity, family members are reported to leave notes on donated bodies to be found by medical students which give a sense of who the person was.
In her PhD research Holly explored the impact of living with a Ventricular Assist Device, a mechanical heart pump and alternative to heart transplantation, using interpretive phenomenology to explore how individuals made sense of their life with the device, and how they reconfigure their perceptions of their body and identity in response to the impacts of the technology.Dominic Smith is an artist, producer and curator whose practice explores open source methods of collaborative project development through a hands-on, open approach to working with art & technology. Holly’s research interests are focused around end-of-life, and medical technologies and their impacts on the body and constructions of identity. This has resulted in a range of publications on death, creativity and technology alongside her practice, which has been featured in festivals like FutureFest and DesignTO, Toronto.Twitter: is a medical sociologist and Vice Chancellor's Research Fellow at Northumbria University. Tech innovators, educators and bereaved family members. Through a mix of ethnography, cultural probes and participatory design methods, she has collaborated with hospices, festivals, libraries and galleries to curate a range of interactive events aimed at specific communities e.g. With a background in design and communication, her research inquiries into how co-design can engage publics to speculatively explore their own mortality and legacy.
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